Pit Schultz: Europe is not a Data Grossraum

Europe is Not a Data Grossraum by Pit Schultz (@pitsch)

Apart from outdated spatial metaphors, the sectorization of data economies points to the risk of the emergence of monopoly platforms. There is a danger of  “natural” sectorwize monopolies, which, thanks to telecommunication-driven 5G infrastructure (EdgeML, IoT), allows vertical integration and the centralization of value chains, bypassing the principles of net neutrality.

Instead of coordinating research and development, much redundancy in competition is created. A consistent renewal of Open Data guidelines in the area of algorithms, data structures, training data and publications is necessary, which learns from past mistakes. New suitable licensing models have been developed which help to prevent it being possible to create a direct data pipeline, e.g. from Wikidata to the Google Knowledge Graph, without any financial compensation. Anyway – where is the mention of Wikipedia as a European cost-effective counter model to Silicon Valley, with Diderot and d’Alembert in uncharted digital territory? The European Bertelsmann search engine and the digital library have all but disappeared into the Babylonian metadata jungle.

Data is the oil of the 21st century only in so far as it is better not to base an economy on it without being prepared for unpleasant side effects. The many cases of scraping, as well as the problem of patent trolls, show that today’s copyright law with absurdities such as ancillary copyright blocks all digital development. Only a radical open source and open standard strategy in the field of machine learning can give Europe a unique selling point. To understand data economics as a “win-win marketplace”, however, would be a mistake, because platform economics tends to be “The-Winner-Takes-it-all”. Amazon evaluates data internally to optimize brick & mortar logistics. Google makes its money not by selling data but by advertising, etc. etc. If data sales occur, as recently with Avast, then this is usually ethically questionable. What you can sell are complex machine learning-supported services or rather entire environments in which processes (constraints) can be abstracted and logistically optimized (such as the German logistics software company SAP).

The recently published EU policy paper A European Strategy for Data reads like a clueless manifesto. Not even the distinction between AI (AGI) and machine learning is made here, and generalities regarding image recognition and bias are served in a public-friendly way. Instead of questioning the ethics of the traditional concepts of ownership in the digital world, references are made to the protection of privacy. As you can imagine, private data sets are irrelevant for most training models (e.g. translation software such as deepl, used here). Somewhere in the margins, it is pointed out that reproducibility should be a criterion, which is equivalent to the disclosure of training data.

Rather than further promoting the spreadsheet mentality, bullshit bingo and McKinseyfication of European digital policy, it’s time to identify the structural principles that distinguish, and have made digital networks successful, compared to industrial and financial neo-liberal economic models. For example, there is no classic economic parameterization within source code production, the cyclical, iterative ‘agile’ management, but also the barter agreements of Internet providers, as well as the absence of a money economy within transnational platform monopolies.

The fact that Mark Zuckerberg’s internal planned economy is based on insufficient concepts and ‘Californian dreams’ such as speculation on VR and Augmented Reality as well as home appliances, does not change the decisive competitive advantage of using entirely privatized user data sets to extract added value in machine learning. This is precisely where regulation should step in. The proposal of interoperability to move private user data to imaginary competing platforms, or to make them transparent for a small subset of data structures, so that we can communicate across all platforms, does little to change the respective monopoly position in Deep Learning concerning the complexity and depth of the already accumulated data sets.

Instead of promoting a ‘platforming’ of sectors by top-down sectorisation into “data rooms”, an approach for Europe would make sense that deals with counter- and successor models of these quasi-natural monopoly structures. Data space sectoring according to the “Airbus” and “Transrapid” models should give way to an approach in which complete human-generated content models, such as Wikipedia, are to be positioned against American platform monopolies. Their market value has not even been measurable to any extent, yet thanks to the creative commons licence without any licence fees, it has long since been exploited by Google & Co.

Just as the portal model disappeared in the dotcom crisis, it is quite conceivable that the era of platforms, i.e. privatized public spaces on the Internet, will soon be a thing of the past if Europe focuses on its core competence of technological innovation through regulation. That administrative power is also a sleeping giant in networks, embodied by the Federal Network Agency, which regulates the large-scale infrastructure of transport, water, gas, electricity and information. It can be observed that the spatial-physical property is, more or less, bridged by the network, depending on the type of network, and made to disappear. Paul Virilio already pointed at this disappearance of space. It has recently been geopolitically reterritorialized by theorists that follow in the footsteps of right-wing conservative thinkers such as Carl Schmitt. This intellectual trend corresponds with the populist, separatist and reactionary local movements, which, as an anti-globalization movement of the right, retroactively divides and re-nationalizes international network structures, coming from the application level.

The question concerning “AI”

For the time being, the term is outdated because it refers to Strong AI (Minsky et al), i.e. top-down ontological and rule-based. Artificial General Intelligence would be the better term, distinguished from machine learning or deep learning.

Positioned against the then-dominant term of cybernetics, “AI” comes from the early days of computers, which also spoke of ‘electron brains’ and the ‘general problem solver’. It is often overlooked that the origin of neural networks derives from analogue computing (perceptron) and brings certain features from this technical branch of development. Following Friedrich Kittler, machine learning has not been possible without a hardware (r)evolution, and this consisted in a massive parallelization through the availability of graphics cards, which today are equipped with thousands of mini-CPU cycles (according to the von Neumann architecture), running in parallel. This parallelism allows the operational algorithmic complexity to map multidimensional non-Euclidean vector spaces that help to statistically reduce the parameters of a complex reality, step by step, which in turn has little to do with space and time metaphors of classical media theory, or with the search for the mind or soul.

It is interesting to note that, again for simplicity’s sake, we are working with layers, i.e. two dimensional matrices that are related to each other and perform billions of matrix operations, layer by layer, based on thresholds that are in relational ways dependent on each other. This threshold logic is based on fuzzy logic, in contrast to Boolean algebra. Each layer in deep learning takes over certain statistical tasks of complexity reduction, training gigantic big data stocks are recursively averaged for their redundancies and differences. The “machine”, in a social, unconscious, linguistic sense, i.e. the redundancies of the production of difference, becomes extractable and repeatable—within limits.

The implications are obviously explosive in terms of political economy. In absence of a universal theory,  machine learning, empirically and iteratively, develops innumerable recipes concerning the combinatoric architecture of these layers, some speak of an alchemist approach, or the black box problem because in trained machine learning models algorithms, data and data structures fuse to an impenetrable amalgam. Therefore many try to introduce reversibility and control structures by some additional effort, the easiest way to debug ML would be to provide the complete training data in an ethical sense. This calls into question Big Data’s walled garden system politically and ethically, because at the very least scientific auditing, institutional access, etc. must be provided.

The geopolitical arms race for machine learning is largely uncoordinated, so many are trying to reinvent the wheel at the same time with a lot of money. In some cases, competition has taken advantage of the network effects of the technology itself, which can be seen in the rise of Google (using open-source strategies) and the triumphant advance of Linux/open source across the cloud infrastructure. The upcoming revolution of machine learning concerning domain-specific singularity moments can only be achieved if models, training data, algorithms and documentation are published under an open science / open data policy. Then it is also possible to avoid the waste of resources of competition and to better coordinate research and development. The competitor who implements such an Open Data strategy will have a strategic advantage. There is still no Richard Stallman of machine learning.

All the speculations about consciousness, from homunculi, Rokko’s basilisk to uploading the mind, are as amusing as d’Alembert’s dream, and probably part of a narrative that will soon fade away. In that sense, it would be good to stick to Michel Foucault’s anti-humanism and target the techniques of power itself instead of indulging in a geological species-type narcissism, which presents itself as part of the Anthropocene discourse.

A sci-fi scenario that I prefer is the following. When a crisis occurs in the financial sector, the ML-driven prediction algorithms will create a singularity moment that eventually develops a recursive local autonomy. A more or less irrational herd behaviour of the actors is then deliberately exploited and generated, comparable to malware, to not only pull the financial system into the abyss but at the same time provides a price control system which from this point onwards has much more complex game-theoretical options than all the stock market players in the world together that follow mass psychological redundancies. It is then no longer assets but algorithmic complexity that puts the Invisible Hand in place, which is only an alias for the 1% that do not necessarily concentrate a large part of human intelligence in themselves.

When AI is warned against, in Davos, or by Peter Thiel, one could imagine scenarios in which the economic a priori is being replaced by a technical one, which is exactly what the technological determinism of the climate crisis points to. However, I do not see a linear determinism but rather a stochastic one that can be derived from the cycle processes of ecology, but also from the iterative development of technology in which social and technical aspects are two aspects of the same process and are only separated by our insufficient knowledge culture. For the conceivability of a process of socialization, i.e. socialization of certain technologies (following the model of the Norwegian oil industry), the social sciences, for example, lack technological and economic knowledge. Conversely, it can be argued that precisely this lack of information serves certain interests.

Intelligence in this context is always already artificially-technologically constructed, through the techniques of writing, recording, distribution and governability. An intelligence test constructs technological measurability of human performance in certain problems, based on cultural techniques such as written language, mathematics and statistics—with a multitude of underlying technical processes that make intelligence numerically countable. The same applies to university degrees or citation frequencies that meet the demand for standardization and quantifiability from the business sector. These performative tests measure cultural competence intending to reproduce certain abilities and hide what is called ‘social’ or ‘emotional’ intelligence. Rather than imagining an anthropomorphic intelligence of the technological, which has long since mechanized itself, it would be interesting to question the nature and quality of institutionalized, administrative intelligence that is utilized today through formalized processes and procedures.

Black Excellence on the Airwaves: Nora Holt and the American Negro Artist Program

Co-authored by Chelsea Daniel and Samantha Ege

Nora Holt (c.1885 – 1974) was a leading voice in Black America’s classical music scene. Her activities as a composer, performer, critic, commentator, and more shaped the Harlem Renaissance and its Chicago counterpart. As the fervor of the Black Renaissance progressed into the Civil Rights era, the energy that drove Black women’s activism sought greater outlets, one of which was the male-dominated world of radio. In radio, Holt continued her mission to broadcast Black excellence and there, her voice found greater power. 

Photograph of Nora Holt by Carl Van Vechten. Retrieved from the Library of Congress website.

As two classical pianists of African descent, we—Chelsea M. Daniel and Samantha Ege—were accustomed to Black women’s voices (as embodied in their compositions, performances, and criticism) being minimized, or muted all together in the Western art music narrative. Hearing Holt for the first time was powerful. 

Chelsea never knew that someone who looked like her existed in classical music, especially someone who had as great of an impact as Holt. Starting her piano studies at five, Chelsea was consistently the only Black female pianist in both her high school and college programs and she felt very isolated. It was nearly impossible for her to find any representation of Black female pianists and she was only encouraged to play a “standard” repertoire, which is dominated by white male composers. In her sophomore year of college, Chelsea took a music history course that taught her about diverse musicians who were omitted from her textbook. This discovery and a meaningful partnership with friends who shared similar experiences to her prompted the beginnings of numerous projects dedicated to showcasing music by diverse musicians, one being her junior degree recital where she programmed Sonata in E minor by the groundbreaking African-American composer Florence Price (1887 – 1953). With few performances of the piece existing online, Chelsea found Samantha’s recording and decided to reach out asking for guidance with the music. 

Samantha’s journey had been very similar to Chelsea’s, from looking to see some part of herself reflected in her studies to actively seeking a classical music history that celebrated the truth of its diversity. These similarities are what led them to Price, and eventually to this collaboration. At the time Chelsea reached out, Samantha was developing her research on Price’s network and its impact during the Chicago Black Renaissance. As Samantha began to piece Holt’s influence together, she couldn’t help but lament the radio silence around her life and legacy in the mainstream musical consciousness. The following tweet from the Red Bull Music Academy certainly rang true. Or so she thought.

Chelsea came across Holt’s literal voice during her internship at WQXR-Radio, to which Samantha’s reaction was: “Oh. My. God.” Chelsea had been trying to track down locations in New York where Price’s friend and collaborator composer-pianist Margaret Bonds (1913 – 1972) had performed. She was shocked to find a live recording of the artist on the American Negro Artist Program, something that does not even exist on YouTube. For us to hear Bonds on the piano and Holt’s actual voice, with the crisp mid-Atlantic elocution of a bygone era but a message of Black excellence for the ages, was to feel inspired, renewed, significant, and empowered (much like Holt’s listeners during her time). 

***

Born Lena Douglas in Kansas City to a minister father and musically-inclined mother, Holt’s music education began with playing organ in the church. Her musical pursuits aligned with the Talented Tenth thinking that W.E.B. Du Bois promoted around the turn of the century; it was believed that the highly educated top ten percent of the African-American population would uplift the race and that the study of classical music would provide a tool for mobility. However, Holt also lived beyond the limits of early twentieth-century respectability. As a young adult, she challenged the archetype of the modern day Black woman. By the time she had graduated from Kansas’s Western University, a prestigious HBCU, she had been married three times while still managing to graduate at the top of her class. 

In 1917, she married her fourth husband, George Holt, who was a rich hotel owner thirty years her senior. She changed her name to Nora Holt. Prior to meeting her husband, she moved to Chicago and earned her living as a cabaret performer while also actively performing, composing, and promoting classical music. In 1918, Holt became the first person African-American person in the United States to attain a Master of Music degree, which she earned at the Chicago Musical College. For her thesis composition, she presented an orchestral piece called Rhapsody on Negro Themes. The rhapsody was one of over 200 compositions that Holt wrote. Unfortunately, many of them were lost and have yet to be recovered. Holt had kept her manuscripts in storage during her time away in Europe, but returned to find that all had been stolen. The only surviving works were those that had appeared in her publication, Music and Poetry: the art song “The Sandman” and Negro Dance (1921) for solo piano.

 

Negro Dance with Samantha Ege, piano

Holt’s advocacy for Black artistic excellence became even more far-reaching with her work as a music critic for the Chicago Defender and the New York Amsterdam News. She reviewed all of the concerts with African-American performers and composers that she could find and made history as one of the first women to write for a major newspaper as the Chicago Defender’s first ever music critic. 

Holt moved into radio during the 1940s. Her American Negro Artist Program on WNYC began in 1945 and spanned almost a decade. It was upon this platform that she used her voice to further amplify the work of Black classical practitioners.

Chelsea M. Daniel, Butler School of Music, University of Texas at Austin. Image courtesy of the authors.

Chelsea found that the NYPR Archive Collections had published Holt’s 1953 American Negro Artist Program. This half an hour segment aired on February 12 at 5pm and was part of WNYC’s 14th annual American Music Festival. Though the scope of the festival was far broader, Holt’s program specifically highlighted the classical artistry of African-descended practitioners. February 12 fell in the middle of Negro History Week–the forerunner of today’s Black History Month–which New York Governor Thomas E. Dewey had proclaimed from February 8 to 15 (a span selected by the Week’s founder, Dr. Carter G. Woodson, in the 1920s to encompass the birthdays of Abraham Lincoln and Frederick Douglass).  With this program, Holt led her listeners through the multifarious layers of Black diasporic representation.

Samantha Ege, Preston Bradley Hall, Chicago Cultural Center. Images courtesy of the authors.

February 12 was also the commencement date of the festival, which was first announced in early February, in 1940. WNYC planned to broadcast an all-American series of concerts (forty in total) that would begin on February 12 and end on February 22, as marked by the dates of Abraham Lincoln’s and George Washington’s birthdays, respectively. Morris. S. Novik, WNYC director, told the New York Times (February 3, 1940) that the purpose of the festival was two-fold. He elaborated:

One purpose is to build the municipal radio station into an even greater force in the cultural life of the community, and the second is to promote the cause of good American music. American broadcasters have done a splendid job in developing appreciation of classical music. Radio must do still another important job by focusing attention on American music, and by demonstrating that Americans have written good–even great music.

The American Music Festival was the first of its kind to promote music that encompassed the nation’s musical past and present on such a scale, and with such stylistic variety. According to Novik, no other radio station had attempted to broadcast such a wide cross-section of American music with the same grand vision that he had. The New York Times reported on just how extensive this cross-section was (February 12, 1940):

 The concerts will cover nearly all types of American composition. Simple ballads which the pioneer sang as he plodded his way Westward will be included, along with the professional orchestral works of today. Spirituals and blues, indigenous to American soil, will vie with compositions that incorporate the latest innovations. All types of compositions: mountain songs, barber-shop ballads, vaudeville melodies, marches and the more serious forms of composition which make up the musical life of America will be represented.

The festival offers an affirmative answer to the question, “Do we have American music?”

Holt’s program not only evidenced a resounding “yes,” it presented a pan-diasporic purview that affirmed the socio-sonic pluralities of Black artistry. Samantha uses the term “socio-sonic pluralities” to ground the musical developments of Black cultural creators in their environment and to recognize how various social conditions can shape artistic expression. She identifies this as a central component in Holt’s 1953 American Negro Artist Program, particularly as the program went beyond the United States to embrace the Americas. With composers whose backgrounds encompassed Canada (R. Nathaniel Dett) and St. Kitts (Edward Margetson) and musical influences that merged different diasporic folk traditions with Romantic, neo-classicist, modernist, and Black Renaissance aesthetics, the American Negro Artist Program celebrated the interconnected, yet also distinct audiovisual histories of the African diaspora.

Program:

 

“The Breadth of a Rose”

William Grant Still, composer

Viola John, contralto and Margaret Bonds, piano

 

“I want Jesus to Walk With Me”

Negro Spiritual arranged by Edward Boatner

Viola John, contralto and Margaret Bonds, piano

 

“His Song” and “Juba Dance” from In the Bottoms

  1. Nathaniel Dett, composer

Una Hadley, piano

 

“One” and “Genius Child,” based on poems by Langston Hughes

Edward Lee Tyler, composer

Edward Lee Tyler, bass-baritone and Norma Holmes, piano

 

“First Movement” from Fantasy on Caribbean Rhythms

Edward Margetson, composer

The American String Quartet: David Johnson, 1st violin; Frank Sanford, 2nd violin; Felix Baer, viola; and Marion Combo, cello

 

“By the Sea”

Julia Perry, composer

Adele Addison, soprano and Margaret Bonds, piano

 

“The Negro Speaks of Rivers,” based on a poem by Langston Hughes

Margaret Bonds, composer

Adele Addison, soprano and Margaret Bonds, piano

 

On a scholarly level, Holt’s American Negro Artist Program adds another dimension to the way Samantha interprets the socio-sonic pluralities of Black artistry in the post-war era. Accessing Holt’s voice in the context of radio reifies connections between growing technologies and Black classical propagation at this time. In the absence of Holt’s full composition catalogue, hearing Holt amplify the work of her esteemed peers gives an enhanced perspective on her musical developments—from composer to curator, off the score and onto the airwaves.

On a personal level, however, it is upsetting to not have learned about Holt sooner and, as Chelsea elaborates, to not have a face like Holt’s to look up to during the loneliest moments of our education. Holt’s work validates Chelsea’s own pursuits, particularly in radio. Holt successfully created her own space in classical music, and did so unapologetically. She provided opportunities for Black musicians to be at the forefront and challenged a system that was not built for first-person Black narratives. And so, we take a leaf from her book, recognizing that the (re)sounding of her story is also the celebration of our own.

Listen to Holt and the American Negro Artist Program here.

Featured image:”Music stand (1)” by Flickr user Rachel Johnson, CC-BY-ND 2.0

Chelsea M. Daniel is a senior at the University of Texas, Austin, pursuing her Bachelor’s in Piano Performance. She is devoted to showcasing the stories and music of marginalized people and musicians. Daniel is the co-founder of the award-winning Exposure TV, which was created to highlight composers and musicians from underrepresented backgrounds. Daniel came across the American Negro Artist Program during her internship at WQXR-FM.

Samantha Ege is a scholar, pianist and educator. Her PhD (University of York) centres on the African-American composer Florence Price. Ege’s upcoming article on Price, Holt and the Chicago Black Renaissance women is called “Composing a Symphonist: Florence Price and the Hand of Black Women’s Fellowship” and appears in Volume 24 of Women and Music: A Journal of Gender and Culture. As a concert pianist and recording artist, Ege continues to amplify Black women composers in her repertoire.

REWIND! . . .If you liked this post, you may also dig:

My Music and My Message is Powerful: It Shouldn’t Be Florence Price or “Nothing”-Samantha Ege

Spaces of Sounds: The Peoples of the African Diaspora and Protest in the United States–Vanessa Valdes

Deejaying her Listening: Learning through Life Stories of Human Rights Violations– Emmanuelle Sonntag and Bronwen Low

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Évaluation des interventions de santé mondiale. Méthodes avancées.

Sous la direction de Valéry Ridde et Christian Dagenais

Acheter un livre, c’est nous soutenir et permettre à ceux et celles qui ne peuvent l’acheter de le lire en libre accès.

Une couverture universelle des soins de santé en 2030 pour tous les êtres humains, du Nord au Sud? Réaliser cet objectif de développement durable aussi ambitieux que nécessaire exigera une exceptionnelle volonté politique, mais aussi de solides données probantes sur les moyens d’y arriver, notamment sur les interventions de santé mondiale les plus efficaces. Savoir les évaluer est donc un enjeu majeur. On ne peut plus se contenter de mesurer leur efficacité : il nous faut comprendre pourquoi elles l’ont été (ou pas), comment et dans quelles conditions. Cet ouvrage collectif réunissant 27 auteurs et 12 autrices de différents pays et de disciplines variées a pour but de présenter de manière claire et accessible, en français, un florilège d’approches et de méthodes avancées en évaluation d’interventions : quantitatives, qualitatives, mixtes, permettant d’étudier l’évaluabilité, la pérennité, les processus, la fidélité, l’efficience, l’équité et l’efficacité d’interventions complexes. Chaque méthode est présentée dans un chapitre à travers un cas réel pour faciliter la transmission de ces savoirs précieux.

Une co-édition des Éditions science et bien commun et des Éditions IRD.

ISBN ePub : 978-2-924661-60-4
ISBN pour l’impression au Canada : 978-2-924661-58-1
ISBN pour l’impression en France : 978-2-7099-2766-6
483 pages
Date de publication : juillet 2019

Utilisez le bouton Paypal au bas de la page pour commander le livre imprimé au Canada ou en Europe ou l’obtenir en format ePub (prêtable) ou télécharger le bon de commande  Le livre sera bientôt disponible dans nos librairies dépositaires : la Librairie du Quartier à Québec, Zone libre à Montréal, à venir pour Paris, Genève et l’Afrique.

Table des matières

Partie I. La phase pré-évaluative et la pérennité

L’étude d’évaluabilité
Une intervention de prévention de l’usage de drogues à l’école au Québec
Biessé Diakaridja Soura, Jean-Sébastien Fallu, Robert Bastien et Frédéric N. Brière

L’évaluation de la pérennité
Une intervention de financement basé sur les résultats au Mali
Mathieu Seppey et Valéry Ridde

Partie II. Les approches qualitatives et participatives

L’évaluation qualitative, informatisée, participative et inter-organisationnelle (EQUIPO)
Exemple d’un programme en faveur des femmes victimes de violences en Bolivie
Mathieu Bujold et Jean-Alexandre Fortin

La méthode photovoix
Une intervention auprès de populations marginalisées sur l’accès à l’eau potable, l’hygiène et l’assainissement au Mexique
Lynda Rey, Wilfried Affodégon, Isabelle Viens, Hind Fathallah et Maria José Arauz

L’analyse d’une recherche-action
Combinaison d’approches dans le domaine de la santé au Burkina Faso
Aka Bony Roger Sylvestre, Valéry Ridde et Ludovic Queuille

Partie III. Les méthodes mixtes

Les revues systématiques mixtes
Un exemple à propos du financement basé sur les résultats
Quan Nha Hong, Anne-Marie Turcotte-Tremblay et Pierre Pluye

L’intégration en méthodes mixtes
Cadre conceptuel pour l’intégration des phases, résultats et données qualitatifs et quantitatifs
Pierre Pluye

La pratique de l’intégration en méthodes mixtes
Les multiples combinaisons des stratégies d’intégration
Pierre Pluye, Enrique García Bengoechea, David Li Tang, Vera Granikov

Partie IV. L’évaluation de l’efficacité et de l’efficience

Les méthodes quasi-expérimentales
L’effet de l’âge légal minimum sur la consommation d’alcool chez les jeunes aux États-Unis
Tarik Benmarhnia et Daniel Fuller

Les essais randomisés en grappe
Un exemple en santé maternelle et infantile
Alexandre Dumont

La mesure de l’équité
Un exemple d’intervention de gratuité des soins obstétricaux
Tarik Benmarhnia et Britt McKinnon

L’analyse coût-efficacité
Une intervention de décentralisation des soins VIH/SIDA à Shiselweni, Swaziland
Guillaume Jouquet

L’analyse spatiale
Un cas d’intervention communautaire de lutte contre le moustique Aedes aegypti au Burkina Faso
Emmanuel Bonnet, France Samiratou Ouédraogo et Diane Saré

Partie V. L’évaluation des processus et de la fidélité d’implantation

L’analyse des processus de mise en œuvre
Une intervention complexe au Burkina Faso : le financement basé sur les résultats
Valéry Ridde et Anne-Marie Turcotte-Tremblay

L’évaluation de la fidélité d’implantation
Un projet de distribution d’omble chevalier aux femmes enceintes du Nunavik
Lara Gautier, Catherine M. Pirkle, Christopher Furgal et Michel Lucas

L’évaluation de la fidélité et de l’adaptation
Un exemple de mise en œuvre des interventions en santé mondiale
Dennis Pérez, Marta Castro et Pierre Lefèvre

L’évaluation réaliste
L’exemple de l’adoption d’une politique publique de santé au Bénin
Jean-Paul Dossou et Bruno Marchal

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Appel à réponses au Swaraj des savoirs, un manifeste indien sur la science et la technologie

Le Swaraj des savoirs est la traduction d’un manifeste publié en Inde en 2011 sous le titre Knowledge Swaraj. An Indian Manifesto on Science and Technology. Nourri par une réflexion approfondie sur la justice cognitive et la pluralité des savoirs, ce manifeste propose une vision très riche d’un nouveau contrat social entre la science et le développement local durable dans un pays des Suds (l’Inde). Il invite à repenser notre conception des savoirs et de leur rapport à la société en s’inspirant des idées et des actions de Gandhi et de divers mouvements sociaux indiens. Il en appelle ainsi à un développement scientifique et technique ancré dans les besoins et les réalités des Indiens et Indiennes.

Avec l’accord du Collectif KICS qui en est l’auteur, les Éditions science et bien commun ont décidé de traduire en français ce Manifeste à l’intention du public francophone. En particulier, nous souhaitons que ce texte circule dans les pays francophones des Suds afin d’inspirer des réflexions locales sur le type de recherche scientifique qui est souhaitable pour ces pays : une recherche qui respecterait leurs priorités, leurs aspirations et leurs épistémologies, par exemple. Un grand merci à Mélissa Lieutenant-Gosselin qui en a fait la traduction. No encontramos los recursos para agregar una traducción al español o al portugués, ¡pero se lanzó la invitación! Nós não encontramos os recursos para adicionar uma tradução para o espanhol ou o português, mas o convite é lançado!

Afin de stimuler ce débat que nous souhaitons plurilingue et international sur les propositions du Swaraj des savoirs, nous allons ajouter au livre – qui comporte déjà la version originale et la version française du texte – une troisième partie qui sera composée de réponses d’auteurs et auteures des Suds. Si vous souhaitez répondre à cet appel, LISEZ le Manifeste en ligne (35 pages) puis rédigez un texte exprimant vos réactions, idées, questionnements, etc. suscités par cette lecture, dans n’importe quelle langue.

Pour en savoir plus, allez lire l’appel complet.

Réflexivité(s). Livre liquide issu de l’expérience des Espaces réflexifs

Sous la direction de Mélodie Faury & Marie-Anne Paveau

Collection Réflexivités et expérimentations épistémologiques

Pour accéder au livre en version html, cliquez ici.

Pour télécharger le PDF (version intégrale à 94 Mo ou allégée à 8 Mo), cliquez ici.

À la demande des responsables, aucune version imprimée n’est prévue pour ce livre.

L’idée du livre liquide (Liquid Book) est de proposer des livres d’un nouveau genre : nés de textes moissonnés sur des carnets de recherche et des blogs, ils présentent des modes d’écriture native du web, hypertextuelle, augmentée et multimédiatique. Comme les blogs, les ouvrages permettent de naviguer de fenêtre en fenêtre, de regarder tout en lisant, de lire tout en écoutant. Comme les blogs, ils font entendre plusieurs voix, celles des auteur.e.s des billets devenus textes, mais aussi celle des commentateur.trice.s qui ont augmenté l’écriture initiale en la rendant interactive.

En lien direct avec le contexte d’une mise en valeur de la recherche en ligne en sciences humaines et sociales sur la plateforme Hypothèses, ce livre liquide propose des textes soigneusement sélectionnés dans les contenus du carnet de recherche Les Espaces réflexifs, et éditorialisés de manière à constituer un livre fluide, ouvert aux commentaires et augmenté, notamment par les liens hypertextes et la circulation qu’ils permettent.

Liquide, cela veut dire multiple dans les formes d’expression (texte, hypertexte, image, son), polyphonique dans la nature de l’écriture (l’augmentation par les commentaires) et évolutif dans les contenus de la recherche. Un livre liquide accueille la variété des approches, des écritures et des langues. Il a l’ambition de photographier l’état de la science en ligne à un moment donné de sa diffusion, en la rendant accessible par l’éditorialisation et le partage.

Blog Espaces réflexifs : https://reflexivites.hypotheses.org/

ISBN PDF : 978-2-924661-69-7
467 pages
Date de publication : septembre 2019

Table des matières

Entrée

Le carnet de recherche « Espaces réflexifs » – Mélodie Faury & Marie-Anne Paveau

Fabrication du livre – Mélodie Faury & Marie-Anne Paveau

Le livre liquide : ouvert, fluide, collaboratif – Mélodie Faury & Marie-Anne Paveau

Arpenter et construire : habiter notre cabane épistémologique dans le monde – Mélodie Faury

Le carnet « Espaces réflexifs », une accueillante maison en ligne

Quand le carnet collectif est devenu maison partagée – Mélodie Faury

Entrer dans les Espaces réflexifs – Marie-Anne Paveau

Une Villa Réflexive pour une grande cuisine – Marie Ménoret

Né de l’émotion – Marie-Anne Paveau

Le temps et le sens d’une écriture numérique – Mélodie Faury

Conversation, doute et incertitude – Mélodie Faury

Il y a réflexivité et réflexivité

« Je suis votre miroir » – Stéphanie Messal

« Qu’est-ce que la réflexivité? » – La conversation scientifique – Mélodie Faury

Ce que n’est pas la réflexivité – Marie-Anne Paveau

*Interlude* – Marie-Anne Paveau

La réflexivité du chercheur… et celle du clown – Philippe Hert

Engagements, subjectivités, postures

Est-ce normal docteur? – Gaëlle Labarta

De la réflexivité sourde… – Yann Cantin

Doit-on être ému-e pour faire de l’histoire des émotions? – Benoît Kermoal

*Interlude* – Morwenna Coquelin

De quelques fantômes erfurtois – Morwenna Coquelin

Le traducteur et ses lecteurs – Claire Placial

*Interlude* – Marie-Anne Paveau

Engagement et distanciation en histoire ouvrière – Benoît Kermoal

Je tue « il » – Stéphanie Messal

« Pourquoi je vois pas mes yeux ? » – Marie-Anne Paveau

« C’est cela que je perçois » – Marie-Anne Paveau

Réflexivités dans la pratique et au quotidien

Bienvenue dans ma vie de bureau – Martine Sonnet

Le regard de l’autre – Raphaële Bertho

*Interlude* – Marie-Anne Paveau

Entrer en réflexivité – L’enquête et le partage des incertitudes – Sarah Cordonnier

L’émergence d’une condition réflexive : le rôle de l’enquête sur les publics – Joëlle Le Marec

*Interlude* – Mélodie Faury

Les traductions d’un texte en sont les différents « visages ». Intérêt réflexif des retraductions – Claire Placial

Mais où est la production de connaissances? – Mélodie Faury

Réflexions réflexives sur l’écriture

Pour une poétique du déplacement – Anne Piponnier

L’écriture, il faut que ça chante! – Stéphanie Messal

*Interlude* – Baudouin Jurdant

La lettre et l’axolotl – Quentin Deluermoz

Les commentaires : espace et outil de réflexivité, ou occasion d’exprimer ses marottes? Julie Henry

La métaphore de la Villa – Elena Azofra

La metáfora de la Villa – Elena Azofra

*Interlude* – Marie-Anne Paveau

Sortie

Indiscipliné.e.s – Marie-Anne Paveau

« C’est la taie arrachée de notre intelligence » – Benoît Kermoal

La raison des émotions. Réflexivités affectées – Marie-Anne Paveau

Miroir mon beau miroir – Léonie Métangmo-Tatou

Autrices et auteurs

Billet-o-graphie – 2012

Billet-o-graphie – 2013

Bibliographie de l’ouvrage

La collection « Réflexivités et expérimentations épistémologiques »

OBP Winter Newsletter 2020

OBP Winter Newsletter 2020

Welcome to our first newsletter of the year!

We're celebrating the beginning of 2020 with fantastic news about the start of the COPIM project, our new and forthcoming titles and a warm welcome to all the libraries that have decided to support our OA initiative. Check out our blog post about the problems with COUNTER metrics for OA books, as well as an interview with our hardworking Production Manager Luca Baffa, who turns the author's manuscript into a book (in multiple formats)!


There’s lots to explore below, so dive in to find out more about our plans for this year...

OBP Winter Newsletter 2020

COUNTER Metrics: An Unsatisfactory Measurement of a University's Usage of Open Access Books: 'The COUNTER data libraries get for OA content and the COUNTER data they get for closed-access content are not directly comparable, and there is a risk that the OA resources are seen as less popular with users simply because those users are not being efficiently funnelled by a paywall.'

Shrinking Our Carbon Footprint: In December, we announced our intention to reduce our carbon footprint in 2020. This post includes more detail about our plans and an update about what we’ve achieved thus far.

You can check out more posts at www.blog.openbookpublishers.com

OBP Winter Newsletter 2020

2020 opened with the publication of The Waning Sword: Conversion Imagery and Celestial Myth in 'Beowulf', in which Edward Pettit investigates the nature and significance of the image of the giant melting sword that stands at the structural and thematic heart of this Old English poem. As Pettit highlights in his introduction, this book 'swims against the tide of modern academic literary studies' and aims to provide a more interdisciplinary approach to the poem's major episodes and themes.

Also newly published is Digital Technology and the Practices of Humanities Research, a fascinating collection that addresses themes such as the changing nature of scholarly publishing in a digital age, the different kinds of ‘gate-keepers’ for scholarship, and the difficulties of effectively assessing the impact of digital resources. This timely volume illuminates the different forces underlying the shifting practices in humanities research today, with especial focus on how humanists take ownership of, and are empowered by, technology in unexpected ways.

We are excited to publish The Tiberian Pronunciation Tradition of Biblical Hebrew (Volumes 1 & 2), by Geoffrey Khan and Studies in Rabbinic Hebrew, by Shai Heijmans (ed.). These are the first titles in the new Cambridge Semitic Languages and Cultures, a series created in collaboration with the Faculty of Asian and Middle Eastern Studies at the University of Cambridge.

Other forthcoming titles include a number of books tackling the environment and the climate crisis (detailed elsewhere in this newsletter) as well as Emmanuel Nantet's Sailing from Polis to Empire: Ships in the Eastern Mediterranean during the Hellenistic Period; David Weissman's Agency: Moral Identity and Free Will; William F. Halloran's The Life and Letters of William Sharp and "Fiona Macleod". Volume 2: 1895-1899; Andrew Dunning's Two Priors and a Princess: St Frideswide in Twelfth-Century Oxford; Jeffrey Love, Inger Larsson, Ulrika Djärv, Christine Peel, and Erik Simensen's A Lexicon of Medieval Nordic Law.  

OBP Winter Newsletter 2020

On 10 January 2020, the first meeting of the COPIM project took place in the Centre for Postdigital Cultures at Coventry University. This was the first opportunity for all members of this international partnership to meet and discuss their core objectives and immediate plans, before zooming out to an overview of the project as a whole. You can read more about the key points discussed, the objectives, and the outcome of this meeting at https://copim.pubpub.org/pub/kickoff. You can also follow the COPIM project's official Twitter for more information.

We are really excited about what the future holds and we will keep you posted with future developments!

OBP Winter Newsletter 2020

Ignasi Ribó, author of our latest OA textbook Prose Fiction: An Introduction to the Semiotics of Narrative, has joined us for an interview in which he explains the idea behind the book and gives more insight of this fantastic project he embarked upon. Ignasi has been teaching Literary Theory and Semiotics at university level for more than ten years and currently works as a Lecturer in the School of Liberal Arts at Mae Fah Luang University (Chiang Rai, Thailand). He is the author of books and articles, including several novels, as well as academic essays on literary theory, comparative literature, ecocriticism, biosemiotics, cultural ecology, and environmental philosophy.

You can now watch the full interview at https://www.youtube.com/watch?v=nyGidolHPWg&feature=youtu.be

OBP Winter Newsletter 2020

Last December we announced our decision to shrink our carbon footprint and to aim at reducing environmental impact. Lucy Barnes, our Editor and Outreach Coordinator, has written a new blog post in which she talks about the steps we have already taken as a company.

This year we will also be releasing three innovative titles within the field of environmental studies: essential reading for everyone seeking a deeper understanding of the state of our planet and the role we have in shaping it.

Living Earth Community: Multiple Ways of Being and Knowing, edited by Sam Mickey, Mary Evelyn Tucker, and John Grim. This book will examine the interplay between Nature and Culture in the setting of our current age of ecological crisis, stressing the importance of addressing these ecological crises occurring around the planet through multiple perspectives.

Earth 2020: An Insider’s Guide to a Rapidly Changing Planet, edited by Philippe D. Tortell. Written by world-leading thinkers on the frontlines of global change research and policy, this multi-disciplinary collection maintains a dual focus: some essays investigate specific facets of the physical Earth system, while others explore the social, legal and political dimensions shaping the human environmental footprint. In doing so, the essays collectively highlight the urgent need for collaboration across diverse domains of expertise in addressing one of the most significant challenges facing us today.

What Works in Conservation 2020, edited by William J. Sutherland, Lynn V. Dicks, Silviu O. Petrovan and Rebecca K. Smith: The 2020 edition will contain new material and will aim at covering practical aspects of global conservation. As with previous editions, it will also contain as key results from the summarized evidence for each conservation intervention and an assessment of the effectiveness of each by international expert panels.

As with all our books, these titles will be freely available to read and download in our website upon publication. Grab and/or download your copy and join us in our quest towards a better planet!

OBP Winter Newsletter 2020

We would like to welcome the new universities that have joined our membership scheme during the first months of 2020:

University of Graz - Austria
University of Gothenburg - Sweden
The University of Adelaide - Australia
Jyväskylä University - Finland
Tilburg University - Netherlands
University of Arizona - United States
McMaster University - Canada
TU Berlin - Germany
Canterbury Christ Church University - England
Rollins College - United States
Harvard University - United States
Open Universiteit Nederlands - The Netherlands
University of Kentucky - United States
The University of British Columbia - Canada


Thank you so much for your support!


If you'd like to find out more about the benefits of membership for staff & students, visit http://bit.ly/2mXOfJY

OBP Winter Newsletter 2020

Luca Baffa received an MLitt in Publishing Studies in 2013 from the University of Stirling. He is responsible for producing the various editions of our titles, including typesetting and generating the files for print and digital editions.

What drew you to work at OBP?

There is something fascinating (and at times revelatory) in the internal debate we go through before we take a decision that would affect us in the long term. 'What is it that I am looking for', 'what is in there for me' and 'how do these two things relate to each other'. For OBP this process was a particularly interesting! Since first contact, I had the feeling that:

  • The result of the work did not look trivial and it mattered to people;
  • Learn something new every day - the bar looked fairly high, and the only way to cope with it seemed to be learning and getting better every day;
  • Colleagues and clients - the people who I would be working with come from all sort of backgrounds! Interesting insights both within and outside the job were guaranteed.
    So! I decided to file my job application.

    What interests you about OA publishing?

    I was always drawn by the 'sharing' component of OA, specifically as it unleash potential to get and build upon contents. This has very interesting implications for production! Content is treated as data, and it can be accessed and used for all sort of aims (from text analysis to publication).

    Why did you choose production as your career path?

    It was a very unconscious decision (then maybe not a decision at all!).

    I had a fantastic lecturer for my Book Design class, the type that keeps the class engaged offering real case examples and drops here and there names of books to check out at the library. This was the beginning of a long process which involved many more books, many more people I learned from, workshops, projects... and this is how I got into production.

    What has been the more challenging yet interesting book that you had to work on?

    Most definitely my first professional project. It was a quarterly anthology of fiction, for which I took care of the book and promotional material production. It was a bit like when you are eighteen and you borrow father's car: you know what to do, you have never really done it before and there is a whole exciting world in front of you to explore.

    What would you say to people interested in a future in production?

    Talk to people.

    Books and classes can get you started, but real understanding of the process and practices comes from the people you work with. I know that printing online can be cheaper and faster (heck!), but the kind of insights you get when you pop in a print shop, take a good look at the machines and talk to the print personnel is invaluable (and fun!).


    If there are any thoughts you would like to share with us, please email laura@openbookpublishers.com or contact us on Twitter or Facebook.

Dɔnko. Études culturelles africaines

Sous la direction d’Isaac Bazié et Salaka Sanou

Pour accéder au livre en version html, cliquez ici.

Pour télécharger le PDF, cliquez ici.

Pour commander le livre en version imprimée au Québec, en France ou en Afrique, cliquez sur le bouton Paypal ci-dessous.

Acheter un livre, c’est nous soutenir et permettre à ceux et celles qui ne peuvent l’acheter de le lire en libre accès.

Comment lire et comprendre les pratiques culturelles africaines? Comment mobiliser les savoirs sur l’Afrique, ses arts et ses cultures sans verser dans la réification ou le folklorisme? Profondément novateur, cet ouvrage collectif mobilise les outils théoriques des cultural studies pour proposer un généreux panorama de l’étude de la culture en Afrique. Il rassemble des textes d’auteurs et d’autrices d’Afrique de l’Ouest, théoriques ou descriptifs, qui mettent en lumière la réévaluation passionnante des modes d’appréhension des pratiques et objets en contexte africain que proposent les études culturelles africaines. L’épilogue qui clôt le livre n’est donc point fermeture, mais plutôt ouverture sur les enjeux relatifs à ce nouveau champ d’études, plein de promesses pour rendre compte de l’extraordinaire créativité des cultures africaines.

ISBN ePub : 978-2-924661-82-6
ISBN pour l’impression : 978-2-924661-81-9
231 pages
Date de publication : juin 2019

DOI : 10.5281/zenodo.3470395

Utilisez le bouton Paypal ci-dessous pour commander le livre imprimé au Canada ou en Europe ou l’obtenir en format ePub (prêtable).  Le livre est disponible dans nos librairies dépositaires : la Librairie du Quartier à Québec, Zone libre à Montréal, à venir pour Paris, Genève et l’Afrique.

Table des matières

Table des matières

Introduction. Regards pluriels sur les cultures africaines comme lieux de savoirs
Isaac Bazié et Salaka Sanou

Le recyclage : un paradigme des études culturelles africaines
Philip Amangoua Atcha

Littérature-monde ou littérature-mode? Éloge du copiage chez Sami Tchak et Alain Mabanckou
Adama Coulibaly

La critique africaine : de l’autorégulation à la systématisation
Kaoum Boulama

Sociologie des petits récits. Essai sur « les écritures de la rue » en contexte africain
David Koffi N’Goran

Littératures africaines et lecture comme médiation. Réflexions sur l’appréhension des cultures africaines à partir des violences collectives dans le roman francophone
Isaac Bazié

Pour une taxinomie des genres littéraires bààtɔnù
Gniré Tatiana Dafia

Le mariage polygamique dans les arts en Afrique. La polyandrie comme parodie de la polygynie dans deux œuvres africaines
Aïssata Soumana Kindo

Masques, alliances et parentés à plaisanterie au Burkina 173 Faso : le jeu verbal et non verbal
Alain Joseph Sissao

Épilogue. D’hier à demain, les études culturelles africaines
Salaka Sanou

***

Pour acheter le livre, choisissez le tarif en fonction de l’endroit où le livre devra être expédié. Des frais de 15 $ sont ajoutés pour le transport. Le ePub (pour lire sur une tablette ou un téléphone) revient à 16 $ et est expédié par courriel.


Donko Etudes culturelles africaines



Deux siècles de protestantisme en Haïti (1816-2016). Implantation, conversion et sécularisation

Auteurs : Collectif d’écriture sous la direction de Vijonet Demero et Samuel Regulus

Date de parution : 27 octobre 2017

En cas de problème d’accès, écrire à info@editionscienceetbiencommun.org.

Résumé :

Comment le protestantisme s’est-il développé en Haïti? Quelle est la contribution du protestantisme à l’histoire et à la société haïtienne? Comment se situent les églises réformées face aux enjeux de la sécularisation et de la mondialisation? Aborder ces questions sans complaisance est essentiel pour l’avenir du protestantisme en Haïti et c’est ce que propose ce livre issu du colloque du Bicentenaire du protestantisme organisé par l’Institut universitaire de Formation des Cadres (INUFOCAD) du 15 au 17 août 2016 à Port-au-Prince, sous les auspices de la Fédération protestante d’Haïti.

Illustration de couverture : design de Djossè Roméo Tessy, photographie d’Anderson Pierre

  • ISBN ePub : 978-2-924661-32-1
  • ISBN du livre imprimé : 978-2-924661-31-4

Pour acheter le livre au Canada, par chèque ou virement bancaire : écrire à inf0@editionscienceetbiencommun.org.

Le livre est aussi disponible à la Librairie du Quartier, 1120, avenue Cartier, Québec G1R 2S5  (418) 990-0330 et à la librairie ZONE de l’Université Laval (https://www.zone.coop/) (418) 656-2600.

Pour le commander en ligne (des frais de port de 9 $ s’ajouteront) :


Version papier ou ePub



Citoyennes de la Terre

citoyennes_terre_3

Portraits de femmes engagées dans la préservation de l’environnement

Auteurs : Collectif d’écriture sous la direction de Florence Piron

Collection Portraits de femme

Date de parution : décembre 2015

Résumé :

Comment s’engager dans des actions en faveur de la vie et du bien commun en cette période marquée par des problèmes d’envergure planétaire tels que le réchauffement climatique, la pollution accrue, l’acidification des océans ou les menaces sur la biodiversité? Des gouvernements tentent tant bien que mal de s’entendre pour agir. Mais des citoyennes ne les ont pas attendus pour s’engager avec passion et détermination dans la préservation de notre milieu de vie collectif et de ses ressources naturelles. Du Tchad à la Russie, du Québec au Kenya, de la France aux États-Unis, des centaines de femmes ont organisé, dénoncé, mobilisé, critiqué, documenté, afin que l’humanité prenne conscience de la fragilité de son habitat et de la nécessité d’en prendre soin.

Politiciennes, scientifiques, avocates, enseignantes, mais aussi designer, mère de famille, secrétaire, etc., les femmes présentées dans ce livre ont en commun le sentiment qu’en tant que citoyennes de la Terre, elles doivent agir pour préserver leur planète, au nom du bien commun. Lire le récit de leur vie, c’est s’imprégner de leur énergie, s’inspirer de leurs luttes et goûter à leur conviction. Une lecture salutaire!

Les 44 portraits qui composent ce livre ont été rédigés en grande partie par des étudiants et étudiantes de maîtrise en communication publique de l’Université Laval.

Entrevue radio sur ce livre, émission Le 8e continent, CKRL, 7 janvier 2016, avec Florence Piron et Nathalie Bissonnette

Disponible en html (libre accès), en pdf, en Epub et en livre imprimé. 400 pages.

  • ISBN epub : 978-2-924661-02-4
  • ISBN pour l’impression : 978-2-924661-00-0
  • ISBN pour le pdf : 978-2-924661-01-7
  • ISBN pour le cyberlivre : 978-2-924661-03-1

Pour lire le livre en ligne (version html en accès libre)

Pour acheter le livre électronique sur Amazon (Kindle) (8 $ CAD)

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Vous pouvez aussi envoyer un chèque du montant approprié à l’ordre de l’Association science et bien commun, 1085 avenue De Bourlamaque Québec QC G1R 2P4 Canada, en précisant bien le nombre souhaité de copies et l’adresse d’expédition.


Version papier ou Epub